Ceremonial Hanami at Shinjuku Gyoen

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The serene setting of Shinjuku Gyoen offered a contemplative viewing of Hanami. The Imperial Gardens completed in 1906, was once the residence of the Naito family (daimyo) in the Edo period.  A very cold and cloudy day provided a dramatic backdrop as I roamed the vast park for over two hours touring approximately 145 acres of French Formal, English Landscape and Japanese Traditional gardens.   Overall, this venue had a more serious tone, as there was no alcohol allowed on the premises and bags were inspected at the gate. The crowds were small in comparison to other locales and the sounds of the city seemed to disappear as one traversed the stately grounds of vast sweeping lawns, ponds, towering trees and interesting structures–wooden bridges, the Taiwan Pavillion,  a tea house and various stone reliquary statues.  With more space to spread their roots and branches, the sakura trees were impressively grand and enormous.  Shinjuku Gyoen has over 1,500 cherry trees featuring Shidare (Weeping Cherry), Somei (Tokyo Cherry), Kanzan (Cherry).  I also liked the visual contrast of the pale blossoms against the Himalayan Cedars and other vegetation which created a painterly impressionistic effect.

I strolled contentedly taking pictures until my fingers literally froze.  Eventually, a melodic tune played signalling all visitors to leave. I joined the quiet procession of departing visitors feeling very calm and refreshed.

Hanami Extravaganza: Meguro River

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I was fortunate to be in Tokyo for  my first “Hanami” and the widespread festivities welcoming the spring season. The city was literally ablaze in a blizzard of pale pink  petals with celebrations escalating as the blossoms peaked. I was told that the short-lived, delicate “sakura” (cherry blossoms)  would be gone by the first rain. Although we were experiencing chilly, cloudy weather, I ran with camera in hand to prime spots that were suggested to me. I too got caught up in the festivities and the excitement visiting the Meguro River in Nakemeguro; Shinjuku Gyoen and Inokoshira Park–each site offering a unique Hanami experience.

Since the Meguro River offered the most fantastic blooms of these excursions, I thought it would be interesting to visit at night which I would find out later is referred to as “Yozakura,” night Hanami.  I was right, the sakura were just as spectacular with the heightened drama of the glowing lanterns strung along the river reflecting onto the branches and on the water below.  The walkways along the canal were teeming with an almost ritualistic procession of people. They spent continuous days and nights, strolling, taking pictures and enjoying treats from vendors who were selling food, drinks and glasses of rose champagne.

I took so many pictures that I decided to present my Hanami experience in three parts to retain the mood of each setting.

Early Stages of the Teacher Training

I’m approaching the half-way point of the training with this is a bright and enthusiastic group. Many send their homework assignments in on Sunday night just hours after we’ve met, and the others follow shortly early in the week. We’ve covered: the fundamental standing poses, many Yogaworks teaching methods,  the history of yoga,  Pantanjalis’ Sutras 1.1-1.41,  and just this past Sunday, an introduction to inversions. Nevertheles, some express frustration with the new topics they are exposed to; anatomy, philosophy, Sanskrit.  I continually encourage them to be patient with what they are learning–abhyasa and vairagaya (“patience and perseverance,Sutra 1.12 )

I have my own challenges as a teacher; its difficult to keep the energy throughout the day while teaching, demonstrating and maintaining a constant dialogue between the translator, students, and myself. In fact, there is constant chatter all day long. To end the day long session, I often have us sit in silence and I say, “let all of this new information settle,” reinforcing the concept of, sutra 1.2 “yogas citta vritti nirohda” (yoga is the calming of the fluctuations of the mind). Many are now saying how much that sutra resonates with them in personal situations throughout their week.

No matter how exhausted I may be at the end of a training weekend, I feel blessed and can’t believe I’m here in Tokyo teaching yoga.

Getting to Know Kichijoji

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Traveling around Tokyo to teach is pushing my boundaries in new ways this time,  forcing me to take trains further distances and explore different neighborhoods.  On my  first day of teaching in Kichijoji, Yuri met at the Gotanda station to show me the train route.  After class, I told Yuri that I wanted to stroll around the neighborhood and could get home by myself. She asked “are you sure?”  I said absolutely, “I remember how to get back.” I ended up getting terribly lost on the subway and it took me over an hour to reach my final destination! I slightly panicked because no one spoke English and I didn’t quite know how to get back to where I needed to go.  The subway map wasn’t quite making sense. I finally got some assistiance and found out later that I somehow got on the Chou “Blue Line” instead of the Chou “Yellow” Line. Furthermore, I should have changed trains at Shinjuku for the Yamanote Line (green)!  You really have to stay focused!

I teach two classes a week in Kichijoji and I absolutely love this location, its has a great balance of the old and new, affordable goods, and is bustling with creative energy. It’s also more manageable than, lets say,  Shibuya–even with the multitude of shops, cafes, restaurants, and stores–you get a sense of being in a close-knit neighborhood. Plus there is the beautiful Inokashira Park, which features a lake surrounded by hundreds of cherry blossom trees. I was able to get a first glimpse of the budding cherry blossoms earlier this week which will be in full bloom in the days to come.

Each Tuesday after class, I spend the afternoon wandering around, trying the local cuisine and taking pictures.  I’ve explored Nakimichi Street, Sun Road, and the surrounding areas.  Each turn down an alley or road reveals a new discovery. I literally walk until I’m completly exhausted before heading back to Gotanda. There may be more on Kichijoji before I leave Tokyo!

The Tokyo Diary 2013: A New Chapter

IMG_1590_1I’m back in Tokyo for another teacher training.  Just one year ago, which seems like yesterday, I was here to lead my first teacher training for Yogaworks at  one of their affiliate studios, YogaPlus.  It’s my only my second time leading a training and I have thirty-two students enrolled!!  I’m very fortunate to have Yuri Nakamura and Kosai Kato as my translators for the program.  They translated for my classes last year and have grown and evolved in their teaching over these past months.

Yuri at Gotanda

Yuri Nakamura

portrait of Kosai

Kosai Kato

In addition, I will be teaching five yoga classes a week at various YogaPlus studios throughout the Tokyo metropolitan area—Kichijoji, Sangenjaya, Yokohoma, Gotanda and Shinjuku.   I arrived here on February 28 and have already begun working;  completing a full week of classes and two weekends of the teacher training.  I’m staying in Gotanda again in a new place near the train station, so at least I’m in familiar surroundings.

I made so many new friends last year and feel welcomed back as if I were family. I’ve been  enjoying emotional reunions with former students and teachers I met last year.  Although I’ve only been here for one hectic week, I feel grateful to have been invited back and am once again appreciating  all of the incredible sights, food and culture that Japan has to offer. No doubt, there will be many challenges and adventures in the weeks ahead and this experience will undoubtedly inspire new stories to tell.860115_456633811075180_1930156531_o

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A Visit with Vishnu, Bhudda and Shiva @ LACMA

Class with Vishnu

The Los Angeles County Museum of Art has a modest but impressive permanent collection of Southeast Asian Art featuring an assortment of statues, paintings and objects.  I organized a trip to visit the galleries with my students on February 8, a week after our hike in Solstice Canyon.

An Indian Prince

Two YoginiA young dancerA princess

Andrea Wagner, a docent at the Museum, who is also a yoga teacher, agreed to lead the tour.  She gave us a special lecture on the objects and the stories associated with the many incarnations of Vishnu, Bhudda, Shiva and other gods in the Hindu pantheon. In addition, we gained valuable insight on the dancing bhodisattvas, lacquered chests, paintings, and golden reliquary figures on display in mysteriously darkened earth toned rooms.

Andrea Wagner Lecturing

I arranged the outing because I felt it was important for my students to have a contextual experience with the many objects associated with yoga. We are typically exposed to the physical aspects of yoga and perhaps some Indian music in class or through kirtans.  Yet, we rarely have the opportunity to delve deeper into the meaning of the images and objects unique to yoga that we often take for granted.  We have seen many statues of a graceful dancing Shiva (Nataraj) or a plump Ganesh in a yoga studio, but do we really know what these objects signify?

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For example, Nataraja, “Lord of Dance” is an incarnation of Shiva–the circular frame of fire surrounding the Lord, represents him as the source of all movement within the universe.  Some other iconographic pictorial elements would include the following: the snake around his waist is Kundalini, the Shakti or divine force thought to reside within everything.  In his right hand is a small drum (damaru) exemplifying the sound, which is the origin of creation or the beat of the drum that is the passage of time. The upper left hand contains Agni (fire), which personifies destruction. These opposing concepts in Nataraja’s upper hands show the balance of creation and destruction of the fire of life. There are many other emblematic details associated with this figure alone. After taking a closer look at the other statues in the galleries, we can be reminded of that a stance, the position of an arm, a hand gesture (mudra) or even the rendering of the shells on Buddha’s head—are all so rich with allegorical relevance.

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One of my ongoing projects has been to reinforce a deeper understanding of the cultural history of yoga. My students said they really appreciated the trip and said we all agreed that we would like to do this again.

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After the tour, a few of us enjoyed a tasty meal of vegetarian food at a nearby Ethiopian restaurant, Meals by Genet, a nice finale for our artistically stimulating evening.

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Yoga/Meditation/Hike in Solstice Canyon

 

“Yoga/Meditation/Hike” is a program that I started years ago while teaching at Santa Monica Yoga. I’ve always loved the meditative qualities of hiking and thought it would be great to create a program that would create stronger bonds between me, my students and our local community.  Over the years, I’ve hosted at least two dozen hikes throughout the nearby Santa Monica Mountains, which features varied terrain and hiking trails.   Notable outings have included: Malibu Creek State Park, Corral Canyon, Charmlee Wilderness State Park Solstice Canyon, Pt. Mugu and Topanga State Park–all uniquely different and easily accessible from the scenic Pacific Coast Highway. The images featured in this post were from a recent hike in Solstice Canyon on February 3, 2013. Students from my classes at various Yogaworks studios throughout the Los Angeles area attended with friends.

The groups have ranged in size, age and abilities with me encouraging everyone to make it to the top where we will always certainly enjoy a spectacular view of the Pacific Ocean, bucolic valley or a breathtaking mountain range.  Everyone always has a great sense of accomplishment when they complete the hike. In all, it’s a good time for all who participate with lots of laughs, shared stories and the opportunity to connect socially on a personal level outside of the classroom. The hikes are followed by a session of yoga, meditation, light refreshments or lunch at the Malibu Country Mart.

Inspired by the words of Jon Kabat-Zinn’s (“Wherever You Go There You Are”),  I will occasionally hand out a flier of his essay,  “Walking Meditation” an excerpt follows:

“Try, bringing awareness to walking, wherever you find yourself.  Slow it down a bit.  Center yourself in your body and in the present moment. Appreciate the fact that you are able to walk, which many people cannot. perceive how miraculous it is, and for a moment, don’t take for granted that your body works so wonderfully. Know that you are ambulating upright on the face of Mother Earth.  Walk with dignity and confidence, and as the Navaho saying goes, walk in beauty, wherever you are.”

A “Soulful Yoga Class” for Share-ity

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Last weekend on November 4, I had the opportunity to participate in a fundraiser for Share-ity.org, benefiting the Sanhamatta Seba Sangha orphanage in Bangladesh, India.  Me and a few of my Yogaworks colleagues: Birgette Kristen, Melanie Lora Meltzer, Sarah Ezrin, and Charlie Samos, “team taught” a yoga class to a group of approximately 20 people at Studio Six01 a cavernous and eclectic artists space located in downtown Los Angeles. I have always enjoyed participating in these type of events which support the spirit of giving, community building and service.

The project was spearheaded by Laurie Carpenter who has been communicating with the  orphanage since July, 2012. She has been working diligently on fundraising efforts that will provide many essentials such as food, clothing, school supplies and vocational training. The organization will also be building their first orphanage in Kenya, 2013.

To donate clothing, food, medicine or sponsor a child, please go to www.share-ity.org

A Yoga Teacher’s Quest for Idyllic Representation with Fluid Frame Photography

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One critical aspect of being a yoga teacher is having attractive pictures of your self readily available for promotional purposes.  This ongoing project is not ego driven, but in fact necessary for career sustainability in a market driven culture.  A few of my peers are featured in remarkably striking ad campaigns or gracefully adorn the cover of magazines, they are the quintessential “yoga models” and can perform many fantastic and complex poses in front of the camera with ease.  However, for me the quest for the ideal image has been illusive.  First of all, I lack the “bendy” body that prevents me from doing those exotic poses that are so visually appealing, and therefore feel self-conscious in front of the camera.  Nevertheless, it’s been difficult to find someone to photograph me in a pictorially compelling way. Over the years, I have enlisted talented friends and colleagues for photo shoots in casual settings: notably parks, a faux finished living room, or on a stroll through downtown Los Angeles.  Although I sincerely appreciated these off-the-cuff budget friendly attempts, I have never been fully satisfied with the results. Friends would always say “Oh, what are you talking about, your pictures on your website look great!” In my mind these pictures were merely suitable –to arrange a professional studio shoot someday was always on my mind.

Shortly after returning from Tokyo, I received an e-mail from Kelly Furey whom I met when I taught a community class at Lululemon in Beverly Hills. Now, working for Fluid Frame Photography, she said they were offering a special package deal for yoga teachers. The price was agreeable and so I decided that this would be the time to go for it. I spent the next weeks before the shoot preparing and practicing daily with intensity while watching the pounds.  During this time, I also began think carefully about how I wanted to be depicted, considering outfits in bright colors contrasted with a slick black outfit for a touch of elegance. I even spent an entire afternoon scrounging around Danny’s Warehouse in Culver City searching for the perfect black leotard.

On the day of the shoot, the morning of August 25, I showed up with a bag of yoga attire, an assortment of jewelry, hair and make-up done by me, feeling prepared and in control for once.  Me, and Jessica Kang, a colleague from my Yoga Works 300 Hr. Professional Program, were scheduled back to back and we agreed beforehand to spot each other.  Placed against a pristine backdrop, I posed for almost two hours, asana after asana, until my muscles cramped up and could hardly move. People don’t realize how challenging a shoot is on the body– maybe it’s the lights, the pent-up nervousness, or the fact that you’re doing poses out of sequence repeatedly, but I would be sore days.  Nevertheless, Lisa Joy LoMurray (L.J.), the creative force behind Fluid Frame Photography, was the ultimate professional, patiently and intently snapping away with a high-tech camera, 111 images in all. Young, bright and talented, L.J. has been crafting her skills in the niche of yoga photography and she is assuredly establishing her presence in the field.  She has produced an abundance of wonderful images of yoga teachers in our local community.

Two weeks after the shoot as I was boarding the plane to head home to Maryland for Labor Day, I was able to see the first proofs on my cell phone. I paused for a moment and smiled.  I couldn’t believe what I saw—L.J. seemed to capture a vision of me that I’ve never seen in print.  She was able to make me look captivating in even the simplest and most basic of poses. In the weeks to follow, I would find it very difficult to narrow down my choices to just fifteen pictures, so I went for thirty!

When I reflect on the collection of my yoga pictures from years past, I realize that as teachers, we are always evolving–perhaps through our tireless commitment to the practice, teaching and learning, it is somehow possible for a deeper dimension of our self to shine through.  Finally, I have images of myself that truly gratifying.

http://www.fluidframephoto.com

“Letting Go” @ La Casa De Maria

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I recently hosted a retreat with Indira Shekerjian at La Casa De Maria in Montecito, California the weekend of September 22 & 23. This was our second retreat together,  we first teamed up with Megan McCarver for a sold out weekend at White Lotus in Santa Barbara, May 2011. I’ve been to LCDM a number of times over the past few years as a guest yoga teacher for a series of retreats held by Dorothy James.  As a satisfied guest, I always desired to hold my own retreat there someday.

The theme for our weekend., “Letting Go” was based on certain aspects of the Fall Equinox where there is a perfect balance between “day and night,” the “sun and  moon.“ This is also applicable to the literal definition of Hatha Yoga: Ha”–sun, “tha”–moon,  and Yoga –“to yoke.”   Through the practice of yoga we strive to strengthen  and reinforce the connection and balance between the mind and body.   Therefore, it seems appropriate that as nature shifts into balance, we too, should try to do the same.  Furthermore, Pantanjali advises us in the Yoga Sutras to observe the niyama, Santoshacontentment (2.42)  and  abhyasa vairagyabhyampracticing non-attachment (1.12).    Indira pointed out in our group discussion, that we typically  start off the year making our “to do lists” and then over the ensuing months, keep pushing the agenda.  But, do we ever stop to see what we’ve accomplished? Is it enough?  As the year winds down, what can we “let go of?”

This welcoming center provided the appropriate setting for deep reflection.  LCDM is spread out over 26 acres covered with large shady oak trees—there’s even a towering 500-year-old eucalyptus tree on the property.  An eclectic assortment of  old Spanish Mission Style structures are situated around the estate. Each dwelling built at various times, has its own unique traits. For example, The Immaculate Heart Center, a stoic stone mansion built by a wealthy businessman in 1930, evokes the style and craftsmanship of an old world European manor, its rooms filled with antiques old paintings and religious artifacts.  Other facilities on the property include comfortable and soothing Retreat Rooms; Casa San Yasidro, a dormitory that accommodates more than 20 people, mostly youth groups; and there are houses, Casa Teresita and La Casitafor smaller groups or individuals.  The center has been undergoing renovation with an emphasis on energy conservation. While most of the buildings are being outfitted with solar panels, they still retain their historic charm.

The food is simply excellent whether you’re eating meals prepared by a private chef at the Immaculate Heart Center, or cafeteria food at LCDM, it’s all fresh gourmet mostly vegetarian/vegan fare that ‘s made primarily from produce grown on the property or from nearby organic farms.  A large orchard of fruit trees and a sizable garden further support the Center’s direction towards environmental sustainability.

This interfaith center has an interesting history  dating back to the Chumash Indians who once inhabited it, planting many of the trees, then later over the years privately owned.   The Sisters of the Immaculate Heart of Mary, A Roman Catholic religion purchased the property in 1940 and after breaking away from the Catholic Church in the 1960s & 70s, turned the estate into a non-profit organization.  What I like most about the center is that it’s off the radar for popular yoga retreat destinations.  It’s a retreat and conference center that harmoniously hosts many types of groups and non-profit organizations,  with “programs focused on meditation, spirituality, personal growth, community service, environmental awareness, education and art.”  Many individuals also go there for silent retreats, to write or create.

I also experimented with a new retreat format–an intimate sized group of 10-12 people and the option to spend the weekend or come up for one day.  Most traditional yoga retreat centers typically require twenty people minimum, putting pressure on teachers to get these numbers when in fact they may be happy with around 12-15.  This format  gave everyone the opportunity to connect in a profound way that isn’t possible in larger groups bringing a lightness and calmness to the weekend that proved to be refreshing.

Our group of eleven people occupied the cavernous “Lounge,” one of the meeting rooms on the property, with lofty wood beamed ceilings and a grand stone fireplace. In all, they had an excellent time participating in a well-rounded program of yoga, restorative and meditation classes and a provocative workshop and discussion led by Indira and I.  Everyone also had ample free time to hike, swim read, draw or simply take a nap!

Nevertheless,  LCDM is a good place for serious heartfelt discussion and contemplation. You’re given a rare opportunity to move inward and connect to your innermost self in a supportive environment that encourages you to open up,  reveal and  “let go.” We were all graciously taken care of.  I’ve finally found a “retreat home” and I hope you and others will join me there sometime in the future.